Monday, May 26, 2008

GLOBAL DORMING

TOUR BE RULING. HERE IN NORWAY, PLAYING TONIGHT IN OSLO. THIS PHOTO TAKEN BY MEG, THE TOUR MANAGER IN COPPENHAGEN A FEW NIGHTS EARLIER. BETTY GOT SUPER SICK THE FIRST NIGHT AND HAD TO GO TO THE EMERGENCY ROOM, BUT SHE'S IN STOCKHOLM RESTING NOW AND FEELING A LOT BETTER, JUST NOT REALLY ABLE TO PLAY AS MUCH AS PROJECTED. OUR TOURMATES THE BLACK ATLANTIC ARE RAD GUYS AND WE ARE TRAVELING IN THE LARGEST VAN I'VE EVER TOURED IN, COMPLETE WITH FLATSCREEN TV (HAND TO GOD). I HONESTLY CAN'T GET THE CAPLOCKS OFF ON THIS COMPUTER, BUT IT'S COOL. IN A FEW DAYS THE BELOVED SOMES MEETS UP WITH US AND THERE'S REALLY NOTHING THAT COULD MAKE ME HAPPIER. OH, IT'S THREE AM AND THE SUN JUST CAME UP. LOVE AND MISSING TO ALL FRIENDS AND ENEMIES.





Monday, May 19, 2008

Mighty Clouds

I leave for a month-long Saturday Looks Good To Me tour tomorrow, mostly in Germany, but all through Europe. Though I doubt there are many readers of this blog outside the United States, I'm posting the dates here so if you know anyone who might wanna check it out, or if you find yourself in Lepzig by chance, you'll know what to do.

21.05.08 DE - Wetzlar, Franzis
22.05.08 DE - Leipzig, Nato w/ Get Well Soon (Pop Up)
23.05.08 DE - Magdeburg, Projekt 7
24.05.08 DK - Copenhagen, Lades
25.05.08 DK - Aalborg, 1000 Fryd
26.05.08 NO - Oslo, Cafe Mono
27.05.08 SE - Stockholm, Landet
28.05.08 SE - Uppsala, Hijazz
29.05.08 SE - Malmö, Debaser
30.05.08 DE - Hamburg, Astra Stube
31.05.08 NL - Leeuwarden, Fries Straatfestival
31.05.08 NL - Utrecht, Moira (Beep Beep Back up the Truck!)
01.06.08 NL - Groningen, tba
03.06.08 NL - Leiden, Sub 071
04.06.08 DE - Münster, Amp
05.06.08 DE - Berlin, Schokoladen
06.06.08 DE - Würzburg, Cairo
07.06.08 DE - Wiesbaden, Schlachthof
08.06.08 DE - Nürnberg, K4
09.06.08 AT - Wien, Arena
10.06.08 DE - Esslingen, Villa Merkel
11.06.08 DE - Freiburg, Swamp
13.06.08 UK - London, The Luminare
14.06.08 UK - London, 100 Club

Expect a few sporadic blog posts with many photos, but come mid June, expect much more. Pray for good vibes, good food, good luck and basically everything good in a shrinking world trying to form. See you next month.

Sunday, May 18, 2008

Jung Die Monde



This is a video of my song "Young Diamond" live in Detroit from the last tour. Knox straight-up VHS'd it and threw it on youtube. Hope you enjoy it. Thanks Knox!!!

Monday, May 12, 2008

Kites Are Fun?

Got my 404 sampler on Friday. It's all over. This song was made from a Free Design sample and a vocal sample played into the internal mic, mostly live to tape/digits between the hours of 10:30 and 10:45 tonight. SO STOKED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

City Center "Why It Always Hurt"

Thursday, May 8, 2008

FLFB

Remember that Fugazi song "Song #1"?, I got the single years ago, before I really stepped into the world of hardcore, zines, etc.. I was just checking out a new 7", unaware of the subculture that Fugazi was such a big part of. Despite my ignorance, the lyric "People always talking about their hometown scenes and hurting people's feelings in their magazines, you want to know what it all means? It's nothing." always stood out to me. I've been humming this song in my head for a few days, kind of giving a voice to a plethora of feelings I've been having lately.

Some sisters of mine have started a new amazing (and highly popular) blog called US Ponytails. You should check that shit cause all of the women writing for it are insanely smart, wonderful, challenging people with good things to say and amazing perspectives. One of the more recent posts was on celebrity and how the current state of American society has made room for everyone to exist in two spheres, the famous self (myspace, blogs, your tacky DJ night or band or art show or ice cream truck or whatever the fuck) and the secret self, that personality linked to your famous self, but maybe even hiding behind your famous/public self. It's an interesting thought and reading it from afar (my friends back in Michigan, surrounded by a life more familiar, me in New York, officially transplanted and probably not going anywhere soon) made my head spin out with questions.

In my younger days, pre-internet, things were somewhat more sequestered. The sway of collective perspective was different. There were always groups of people doing what people do, but the way they thought about each other was a little more word-of-mouth and possibly more instinctive due to how slowly things became public knowledge. The notion of public fame/notoriety, belonging to everyone or anyone with an internet connection and the desire for it is a strange, kind of fucked thing, but maybe not too much different from the pre-internet era. It doesn't matter, because people always love to talk about other people, positively or negatively, it's a very human thing. I've been thinking more lately about how awesome it would be to dismantle the fame part of it. The idea of public perception as a huge factor in the process of making work can go either way. In cases where it eclipses real live (IRL?) inspiration or real feelings, that's when things get kind of fucked. I guess I'm saying, remember when no one was famous? Remember when it was known from the jump off that nothing we were doing was ever going to make a million dollars or win the hearts of America? That was given because that's what we wanted to some extent, right? To contest and reject winning the hearts of millions, and to build something better on our own.. Cause we had big problems with what passed for OK to the majority of people around us. Cause otherwise whatever we made would just turn into the back-stabbing, insecure and terrified non-art and non-beauty that we were reacting against to begin with. There are always exceptions and things that get past the obstacle course of success, but it's pretty rare.

Recently I've seen moments where even the best examples of what I imagined to be this culture me, you, and all of our friends have been building have just kind of turned on their own, mirroring the ugliest of the insecure, angry and hurtful of the world around us. I suppose the point of what I'm saying is I'm striving for a place where someone else's idea of fame doesn't come into the picture at all because it invariably corrupts things. And in the end, it's nothing.

All day I listened to Jesus& Mary Chain and Terry Riley's "In C" and then I made this song:
City Center "Stones"
Think I'm still coming down from all the shows last week and a little stressed about going to Europe because all my creative energy is coming out so middle-of-the-road. Did I tell you about the new slang in Brooklyn? Things that are just OK are FINE LIKE FUCK BUTTONS, based on a conversation I had with Anna & Bones when I was like "I love the new Fuck Buttons record!". Anna looked at me and said a very declarative, "It's fine." She looked over at Bones, who with a look that could destroy a building said simply, "Fine." Hence, a lot of things are Fine Like Fuck Buttons. The songs I've been doing lately have been FLFB, but whatevs.

I've been wondering about Mediafire because it won't let you just download stuff anymore without Quicktime. Pete left this helpful comment:
actually, all you have to do is right click and save as rather than just click on the d/l on the mediafire page.

which rules, but I have a G4 with no right-clicking abilities. Is there a right-click alternative? Or does anyone know another free site to post stuff easily for downloads? I'm sure there's a million.

Tuesday, May 6, 2008

Underwater Hotel

I was gonna put out another EP of new stuff, but after I posted that new song last night I decided to say fuck it for now. Over the past two weeks I put together five new songs including "Katie", this new one and three semi-longer droney ones, but instead of making another CDR of half-realized jams, I'm just gonna post them here for free and work more on a proper record. I overheard a conversation this weekend in the record store where someone was going on about how wasteful CDs are, and how they don't want to support something so frivolous and wasteful. There's a lot of arguments you could make about how CDs probably aren't the front-runner of products ruining the environment, and how there's better places to start avoiding consumerism, but then again... music is in the strange space of becoming something we can own invisibly, which is probably not going to happen anytime soon for say, hamburgers or cars. There's so many different avenues of thought concerning the music industry, people making a living playing music, the internet, downloading, etc. but I'm way too tired to even think about it now, let alone write those non-thoughts down. I guess for now the approaching possible (?) demise of certain forms of physical media means more quality control for artists, or maybe why put out a bunch of so-so stuff when you know it's all vanity? More thoughts on vanity, too many CDRs, blog music and general gist soon.

This song is kind of weird. I made it up tonight and kind of improvised the lyrics then did a harmony vocal over the first one, trying to remember the made-up words. I mixed it super fast and it's easily the most prominent vocals have ever been in any City Center song. I think I'm most stoked on the loop with backwards horns that kind of got buried underneath a pretty conventional (if nice) song. Huh.

City Center "Jorbrelle"

I fell asleep today for about twelve minutes and had one of those ridiculous life-crisis/actually asleep but sure you're awake moments. My thoughts were running into each other pretty hard and all I could piece together was that someone else loves my idea of hell. Someone feels so good on a super hot, sticky, humid day where the sun beats off of concrete and weird smells waft through air too thick to really breathe. Someone, somewhere was born loving that feeling which I was born to despise and they wake up everyday wishing life was more like what I fear, despise and avoid. I think I freaked out but then I woke up and everything was calm, organized and still.

Monday, May 5, 2008

Katie

I spoke slow while upstairs neighbors smoked cigarettes in their bed
later we could hear them fucking through the floor
while i said "all the mice have eyes and i've been running in my dreams again."
"i've been running in my dreams," i said again
"running towards your faceless friends. no one stops, no one pretends."
you fell asleep and i said "again"
i fell asleep again.

Sunday, May 4, 2008

A World Of Neverending Happiness. You Can Always See The Sun, Day Or Night. Especially Midmornig, Overcast Clue.

This last week was kind of intense and disappeared before I knew where I was. Played a ton of shows, starting Sunday night in Bushwick with Yer Sweet Chimneys/You Aren't My Mother. They had a really all-over the place set with an amazing thumb-piano/delay interlude. And everyone knows I HATE thumb-pianos, so it had to be something amazing. On Wednesday I played a non-wasted solo set at the Cake Shop (unlike the unacceptably wasted one I played last Monday with Sellwood and Bathgate. Yikes.) with Stephen & Morgane's band Silver Haunches and it was tremendous and giving. The next night I was back at Cake Shop for a City Center show with a bunch of [ex/]Detroit friends.

Gardens is made up of some of the kids from Genders. They were so basic and not-weird it was kind of weird. Every song sounded like the first five seconds of a Seeds song or some kinda blues rock jam, but for the entire song. I loved it.

Faith is my friend who lived in Michigan forever and now lives in Texas. She was making me tapes of her songs before she even owned any instruments, and as soon as she got an accordion she found her calling. I went on tour with her once as the drummer for her old band Terror At The Opera and then did some shows with her & Lenaya's jam The Living Flame. She has a hundred bands, a million songs, a number of names. She rules.

I had a really loud, exciting set where Chad was drunkenly cajoling me to play more percussion, which was the best, and then Lenaya Lynch & The Lion Cubs played. They really killed it. Super femme-psyche with gentle edges. A kind of music that was paying attention to detail and aesthetic without being self-conscious. What I mean by that is there was lots of fuzz guitar.



The next night was a really fun night at the Old Office space in Knitting Factory. Ethan & Avi's new band Silk Flowers played a duo of cassette-recorded loops of samples and a malfunctioning oscillator through a malfunctioning Echoplex. I think one of the loops was willfully a sample of the noise it makes through a speaker when someones cell phone is about to ring. Bip bi ba biipbip ba biiip.

My new favorite sound is Grouper, who played next. It's Liz from Portland playing guitar and other various washed-out sound sources while singing super treated vocals into it all, kind of like a long, uneasy exhale before you tell someone the worst news imaginable or that you gotta go even though you love them so much. The whole set was perfect and I could have listened to it for another two hours. We played Scrabble at a weird restaurant once when I lived in Portland, and if someone would have told me then that a night 17 months into the future would impact me so greatly, I would have flipped the table over like when people play dominoes in rap videos from the 90's. It was so great, I encourage you all to seek out her music. I think sometime soon I'm gonna post a mix of all women drone/sound art/experimental jams because that's really what's been blowing my mind the most this past year.

I'm gonna get back on the recording side of music making this next week, now that the bum rush of New York shows is over. I'm almost done with a little CDR of all-new stuff, none of which has been posted yet (which takes mad restraint) and I'll have news about that really soon. Did you ever listen to "Purple Rain", like really listen to it? It's like really remedial prog rock in a way. It just keeps going to different intros/outros/sub-outros/weird key change parts/tapes of people shouting backwards. Nothing ever really got made like that since, but sometimes it hurts to listen to it. Good things can make you sad, I suppose.

Thursday, May 1, 2008

Mammoth Mix

A new mix of songs for the springtime, whatever and wherever that might be for you. I'm super stoked to have figured out how to make these mixes from vinyl and tapes now, too, so this one is all from records.

Young Marble Giants "Cakewalking"
Galaxie 500
"Don't Let Our Youth Go To Waste"
Animal Collective
"Tikwid"
The Supremes "Put Yourself In My Place"
The Equals "Hold Me Closer"
Germs "Media Blitz"
Times New Viking "DROP-OUT!"
Violent Ramp "Grind The Pigs"
Ann Arbor skate-punk dudes who only made one single in like 2001 or so.
Black Dice "Untitled"
From their third recording, a 10" on Troubleman recorded in 1999.
Royal Trux "Ice Cream"
I've been thinking about RTX a lot lately in relation to their relative obscurity and reputation when compared to Sonic Youth. Actually have been thinking about it a lot, but maybe I'll get into that later. This is off of "Twin Infinitives", which was released as a CD with four long-ass, non-indexed tracks, each track replicating a side of the double LP. So you pretty much have to listen to it on vinyl or feel like you are.
Portishead "Machine Gun"
The new record is so amazing! This is the single.
Crystal Stilts "Crooked Croon"
A NYC band I know nothing about except they rule and they put out a killer 4-song EP.
Orange Juice "Simply Thrilled Honey"
Jane's Addiction "I Would For You"
No Age "Never Not Beaten"
From the "Dead Plane" 12".
Faust "It's A Bit Of A Pain"

Total Running Time: 47min 50 sec.
Download the mix here. Happy Mayday.